softwar are 2 body builders from sydney - myles du chateau & jeremy lloyd - and they have finally finished their ep on future classic called > this time around<. as much as we tease softwar at how slow they are they have some pretty serious chops - their debut ep was signed to dj kaos label > jolly jams<, their remix of two door cinema club was hand picked by kitsune, their residence at slow blow at goodgod, sydney has got millions of hot >fashion< girls into deep house and theyve remixed mario & vidis and mitzi - meaning this will be their third appearance on future classic vinyl. >this time around< resonates filtery deep funk, soul and house and we are glad its finally here and not called brown noise

when the >a new stereophonic sound spectacular< with singer liesje sardonius was originally released in 1996, hoover ran into a bit of legal trouble with the famous vacuum company and had to change their moniker to hooverphonic.
luckily, it didnt have any effect on their success. music on vinyl is re-issuing >a new stereophonic sound spectacular< on 180 grams audiophile vinyl for the first time since its original release.

in 1986 steve earles new brand of country-rock music was taking nashville by storm. his debut album >guitar town< topped the billboard country album charts, as did the single with the same title.
influenced by bruce springsteen (who was earles eureka!) and townes van zandt (after whom he named his firstborn), this was one of the strongest & most confident debut albums released in the 80s.
he showed an angry literacy, a dark sense of humour & a street-smart snarl that was uncommon amongst his country counterparts and made him stand out amongst the crowd. but he was also ostracised because of his anti-vietnam stance & long hair.
this is the first vinyl re-issue of this double grammy nominated album since its original release! comes on audiophile 180 grams vinyl, including bonus track and insert.

though some only know the byrds for their covers, critics believe that they are amongst the most important and influential bands of the 1960s. their signature sound of clear harmony singing and jangling guitars combined well with the sounds of british invaders the beatles & the rolling stones, and they became the pioneers of folk rock, psychedelic rock, raga rock, and country rock.
the recording of the 1968 album >the notorious byrd brothers< in the heyday of the flower power age was nothing less than herculean, disputes over artistic direction & power struggles within the band meant that by the time recording was finished there were only two byrd-members left. the album was a labour of love, though, its more experimental and progressive than their previous works and is considered one of the best albums they made ...
re-issue on 180 grams audiophile vinyl.

in september 1985 four of the greatest musicians of the 20th century returned to the studio in memphis where it all began: carl perkins, jerry lee lewis, roy orbison and johnny cash went back to sam phillips sun records studio to record an ode to elvis presley & the city they all loved.
it was their goal to reassert the vitality of their art outside the often stifling definitions of the music industry and to reassert the vitality of memphis as a music-making centre of great potential.
>memphis rock & roll homecoming<, with its mix of jazz, blues, country, gospel, rock n roll and soul, is now a proud part of the legendary citys legacy!
re-issue on 180 grams audiophile vinyl.

exone 12 comes from fresh italian talent andrea zannini. born in terni, a major industrial town in central italy, andrea began fiddling with electronic gear at school where he had developed his passion for music, playing locally and experimenting with production. but terni is small and it was just a matter of time for berlin to become the place to go, try out, learn experiment, live. the place where while working at night on his music and during the day in a pizzeria, he met the exone fellowship, who are eager pizza eaters. fantasy dream ventures right to the highest feeling you can have on the dancefloor, with a bassline that builds and bubbles increasing your grin with evey shift. fantasy dream is remixed bydave vega who reveals an epic deeper side and pleasantly surprised us with his expansive mix. certamente shows the funky house side of zannini, well he is italian! phantasmeano delivers a beauty of a remix. gentle, precious, simply gorgeous it surrounds you and captures your body completely as the bass kicks in - best of all, the phantasmeano remix is for vinyl lovers only.

>aspen< is the name of christian loefflers single before his debut album on ki called >a forest<. the name of the single is not to be misunderstood as a dedication to the ski resort in colorado. its rather a dedication to christian loefflers home region in the north of germany. loeffler walked out into the forests near darss, to take field recordings of the trees that commonly grow in that area, which are called >aspen<. the landscape near darss is characterized by signs of storm and rough sea climate, but is also considered as a popular health resort in germany. the tracks on >aspen< create this contrary atmosphere: noise and silence, destruction and peacefulness, electronic sounds and traditional instruments unite in harmony. the cover artwork for >aspen< was taken by christian loeffler himself in the forests of darss.

>xenomorph / vespertilio< follows up peter kruders >law of return< track, that was a highlight, both in the music world in 2009 and in macros ever brilliant catalogue - and one of the now most sought after recent vinyl collectors records. xenomorph takes off where law of return ended. 2012 couldnt start deeper: detail rich, dreamy, pushing enthusiastically forward into the new year. vespertilio then moves between the off-centre sound aesthetics of a morricone soundtrack and the intensity of hypermodern subbass droppings. this is an irresistably deep double package, exceeding even the boldest expectations. a masterpiece. no more, no less.

ndatl continues with new remixes crafted by label head kai alce of sacrifice, by house music legends robert owens and larry heard. owens and heard have not recorded together in more than a decade after countless classics such as bring down the walls, im strong and mysteries of love. after hearing the track when heard stopped by the ndatl studio, kzr was compelled to remix the song, and was quickly given the green light.

wax classic is a brand new skylax sub – label. for this 3rd release, we give you the opportunity to grab 5 fantastic trax done by housemaster : jason grove.born in detroit, he started his career in the late 80s, dj-ing in underground parties when the techno house movement was just at the beginning. he was invited few times on detroit local stations such as wdrq & wjlb to play. some said he was at that time very close to the >wizard<, helping producing their first tracks with anthony srock as final cut. he had many opportunities during the 90s to release some of his work on various prestigious labels, however, as the guy is really hardcore & straight edge, he prefered to continue producing only with analog gears (dont ever speak to him about a computer or he?ll get mad !) & record his work on cassette only, selling it to indie stores & giving it to friends for some special events (birthday, graduation ect ... !). after the incredible release we had on wax classic 1 (another skylax sub – label), you can grab finally the 2 nd part of those legendary tapes.

dan ghenacia, the force behind the inaugural label of parisian house talent freak n chic, returns alongside his closest allies dyed soundorom and shonky to launch their new imprint – apollonia. sharing the same roots, the same tastes and the same musical vision, apollonia was a natural, if not inevitable progression for the three friends.well mainly focus on releasing our own music, but of course we are also really open-minded to sign any producers we all enjoy, says dyed.the label will serve as a platform for the trio&#8223,,,,,s productions, representing new beginnings based on a solid family that have already done much to shape the underground house scene, in paris and beyond. if the former era was a learning curve for all three, in both the music and business sense, one has high expectations for the quality of production on apollonia to come !shonkys ep the minneapolis touch will mark the first release for the label. forthcoming in february 2012, it features three tracks of strong house grooves, hynoptic melodies and hushed vocals for his signature sultry sound.

2011 was a banner year for borrowed language – both the split 12 inch from jeff pietro & israel vines (blx-2 distance no object) and jeff pietros definitive >still< 10 inch (blx-3) garnered plaudits from all corners of the globe and were charted and played by the likes of surgeon, miles whittaker (of demdike stare fame), peter van hoesen, xhin, and many others. we kick off 2012 with this astonishing 4-track ep from detroits justin ivey, and if this is anything to go by, its going to be a hell of a year… justin ivey has been making uncompromising and challenging electronic music as dj adjust (and lowsh as well as theek) since the nineties, and he is also the founder of the beloved and highly influential cult imprint low res. while low res has always released records that reside somewhere on the extreme end of the electronic music spectrum (i.e. davros and ablecain) ivey isnt a purist - in fact, he is a true enthusiast of all types of electronic music, and it certainly shows on this 4-track ep.
limited edition of 200 copies on white vinyl.

limited reissue of this highly sought-after and extremely heavy electro-boogie cut from serena. originally released on tiny nyc label tnt unlimited in 1983, this super-rare gem was produced by the great james terry who was also responsible for other top boogie classics of the era such as >boogieland< by ike strong and true images >keep me dancing<. the instrumental gets all the attention here with super-funky basslines, cool vocoder chorus and ultra-crisp percussion and synths but the vocal is pretty damn strong too. top priority for all boogie fans - dont miss this!

from the public dance hall to the disco, from the smooch to the shake, fromthe orchestra to the deejay. daniele baldelli remains one of the first italiandeejays, who started his illustrious career back in the 60s and became one ofitalo discos kings of the dancefloor throughout the 70s and 80s. >cosmic disco? cosmic rock!< celebrates a turntable odyssey from a man who lived andbreathed italian disco, american rnb and synth pop and pioneered the soundwhich, with retro chic hindsight, has influenced everyone from i-f, hell, felix, miss kittin & the hacker, marco passarani, tiga, trevor jackson, lindstrom, bochum welt and dopplereffekt amongst many more djs and producerswho have mined the golden age of synth pop for inspiration. featuring rare andhard to find tracks from fra lippo lippi, positive noise, the romantics, labionda, ray parker jnr., thompson twins, martha and the muffins and richard bone, >cosmic disco? cosmic rock!< takes on a dancefloor mission to the shoresof lake garda where from 1979 – 1984 cosmic was the place to be and danielebaldelli was the disco king at its epicentre.

vibe003 remixes ep was born when the magic voice of michael franti, famous american singer, met the club-vibes of these guys.... that had retouched the single >theres enough for all of us<. from the elegant techno of deepchild (trapez, affin), to the deep dry-groove of butane (crosstown, alphahouse, rrygular), we are pushing on the wall by the man-of-the-moment in spain, marcos in dub (goa, highgrade, monofunk)... where funny techno and warm ambient make you dance smiling. this remixes ep is closed by an old-school house remix ofmussen, where the 909 and 808 sound is all you need...

2010 repress! mark hawkins is in the vanguard of the new wave of new wave uk techno. beginning his career in 1999 with a split ep with michael forshaw on the latters much loved chan n mikes label, hawkins was soon noticed by saskia slegers (aka miss djax) for whom he has now recorded 6 eps on her well known djax up beats imprint. he has also released on, amongst others, pro-jex, mosquito and hörspielmusik.. and now, here comes the next release by mark hawkins to the lablestart from kitty corner !!

tj hertz he has a white label unknown objekt. from below as if the body is muscular rock sound, the words of the author’s case, dub step, three steps are a complex mixture of core and base, garage, techno. record during 28 months, hessle audio, including obtaining support from the scuba and surgeons, aphex twin, james ruskin, release the forefront of the techno / electronica scene, in the presence mysterious, and the label is. in addition, the top clubs such as fabric, such as radiohead sbtrkt work and nun or a mixer containing a book and berghain has been steadily eroded the deepest part of the scene is employed as. his name, the founder of a leading car rental company, or unit of frequency cited physicists in the mystical setter for a feature not leave a name, tj hertz. doberman, writing for himself while living in retirement in the body that is born in japan and raised in the uk, now in the outskirts of berlin, came from a magazine interview requests all 100 dj mag special million euros was more interested in the beginning with no offers, he said, the behavior is earnestly devoted to the basement

after some time spent entertaining from distant lands, the circus company brings it all back home with a release purposefully written to pay tribute to the breeding ground for their unique strain of house music, paris. seuil stands proud as one of her most cherished creations, a man ever evolving as an artist from the structure and function of minimalist dancefloor music through to the esoteric expression and ambience of jazz, channelling that same swinging spirit that has characterised much of the work on circus company. the release of his -chamaeleonidae- album proved to the world that there was a strange musical spirit in seuil that manifested itself in live drums and languid keys, character traits you could associate with his fellow parisians dop. the collaborations between them have been many in recent years, and once again they come together to both complement and test each others styles in a surprising vision of what pop music could sound like if crafted with soul and imagination. the beats stay tight and steady throughout the three tracks that make up -fluctuat nec mergitur-, driving a foggy brew of strings, synths and drones into a commanding groove. meanwhile the composition gently rises and falls on waves of melody, as particular harmonies swell in to carry you away to a very blue kind of euphoria. such drama and passion captures the essence of both seuil and his beloved city in one heady brew of dancefloor excellence.

kyoka - first solo female on the raster-noton roster works as a musician / composer in berlin and tokyo. she has been releasing music since 2008 and is known for her chaotic, direct approach and heavy-rough sound resulting in a broken pop-beat with experimental yet danceable rhythms. ish means around, like or about and reflects her way to be clear by being vague - brightness wrapped in a blanket of obscurity and abstractness. the ep was produced by longtime friend frank bretschneider, a remix was delivered by atomtm to tune the first track hadue for the dancefloor. ryuichi sakamoto underlines the exceptional talent of kyoka: >panic! it sounds like a toy box turned up side down. how can she make such pretty & chaotic sounds!? i love it!<

-in motion- beschreibt, was beatamines und sein home label damm records gleichermaßen, die letzten jahre ausgemacht hat.
mit seinem debut-album erfüllt sich der symphatische thüringer beatamines einen lang ersehnten traum und nimmt den nächsten sch

february sure isnt the month to laze around when the new rennbahn baby is chasing for your dance. the crotalus ep starts as if there was a crotalus right behind you! the original mix delivers a powerful basedrum and deep synths. the snake sounds, vocal snippets and the use of reverb and delay build a wide and huge atmosphere which leads us directly out of the reality into the heart of the jungle where youd love nothing better than to stay forever. watch out - you shouldnt stop dancing unless you want to get bitten by a snake! the marco fender remix on the flip side takes us out of the jungle into the club. an impulsive beat highlighted by a sub baseline comes to a nice replaying synth melody. here the vocal snippets are not applied to fulfill the song with a deep atmosphere but to complete the hypnotic rhythm of it. watch out - the snake still follows you at every turn! finally miyagis remix comforts us with safety - marching towards the end, it seems like we got rid of the snake. now we can wholeheartedly lose ourselves in very deep synths, floating hi-hats and a mystical and tempting melody. as if this wasnt enough the outstanding beat wont let you take a break and forces you to keep on dancing

achterbahn d amour is courtesy of edit piafra & iron curtis. rooted in nu&#776,,,,rnberg, city of love. jx2 is another slammer, guided by lush pads and some quirky acidish bassline that cuts from your left brain to your right brain and then straight to the next dancefloor. there is no escape, dont even try! the other side of the platter has more to offer: the middle of is a high standard dj tool with heart. repetitive loops all over and no end in sight. but(t)! exactly the right amount of dirt to keep you movin and shakin that hips. oh, we have to admit, no rnb samples were used at all. sorry guys! if youre into pop music with a certain love for jackin house music, youll probably go for into the wilde. this song was recorded just before a mad club gig in berlin and you know what to expect: pitcheddown and pitched-up vocals, a live bass and drum machine workouts galore. frank says: these guys are hot as hades. early plays by gilbr (chateau flight), axel boman, basic soul unit, hunee, san soda, roberto rodriguez, red rack em, sasse, ethyl, patlac, matthias vogt (motorcitysoul), francis inferno orchestra, snuff crew & foffie.

one of the labels that caught our eye in the last months was lonesome hero. here their third release and its another quality one. a more then solid house track that kicks off with an intoxicating metalic bassline that hypnotically segues into the rasundas staple groove-heavy drums, with an achingly timeless piano peppered all over the top. on the flip-side, the boys over at campaign of love handle the remix duties. by tracking it out a bit, col have roughed up the original with a combination of strings and 909 snares, while keeping the spirit of the original mix alive with a snippet of its massive bassline.

the connaisseur family welcomes its youngest member: ava myra flitsch. the daughter of hilary and alex flitsch was born november 15th, 2011 and both the parents and good friends of the label celebrate this miracle with this release. all participating artists were asked to produce a very personal piece of music. the style was left up to the artists, resulting in a beautifully mixed batch of great tracks. the intro track hello! by dop & masomenos features a little vocal snippet as a salutation by masomenos adriens son and it is an atmospheric, soundscapish and beatless tool.

after several appearances on the label, kareem comes up trumps again with an excellent first solo single release backed by a wonderful remix from white doyen oskar offermann himself.how low can you go the opener track acts as a discreet, structured, driving and some how dubby house tune that keeps a nice layer of grit beneath the fingernails. its loopy character imparts the feeling of virtually remaining unchanged but it nevertheless staidly evolves within its sonic borders and imparts a sensual quality of all-enveloping warmth. oskar offermanns interpretation of how low can you go introduces skipping melodies that are transmitted as choppy discoesque pulses and rhythmic modulated bass sounds are the preferred form of punctuation. indeed the remix is intended to be a dj tool, but like all of oskar offermanns recent house works, it builds smoothly as though every element was simply waiting in the wings to make its appearance at the proper moment, and – just before it finishes up – sounds like it could go on forever.

the new leena welcomes an artist who rise through the ranks of the dj elite has been swift, purposeful and striking. starting out as a promoter and label manager, nicole moudaber booked huge acts for her soundworx nights at londons legendary turnmills club alongside running southeast recordings, but it wasnt long before she started to produce herself. flawlessly carving out her very own edgy house and tough, soulful techno sound, her music was instantly picked up by the worlds leading tastemakers including carl cox, john digweed and pete tong. a residency in ibiza playing alongside carl cox at his weekly night followed, as well as requests for guest mixes on both his and john digweeds internationally syndicated radio shows. her releases have received just as much praise as her dj performances.

el prevost returns for his second ep on third ear, following up the money honey ep from a year ago. four more twisted cuts from out of darkest south london. heavy.

sublevels eleventh release features their left-coast warehouse sound. this single contains two mixes. side a:lils keys – subwarp rmx this mix puts you in a deep and twisted headlock with a groovy feeling of main-room acid-house. an energetic remix for those who love to dance and travel through space. this remix was featured at such events as demf 2011, 20 years of planet e (san diego), and tabloid (tokyo).side b:lils keys – e-motion analogue dub – doc martin mix the e-motion dub mix is a long and hypnotic bass heavy dub. doc martin really gives this one an analogue feel. this mix was performed live at panorama bar (berlin), womb (tokyo), and fabric (london).

between 1978 and 1984 can as a group were utilising the innerspace studio in cologne less frequently in order to search for new ways to develop their sound and creativity. however drummer jaki liebezeit and holger continued to record and experiment at the studio and czukay considers this time as the most fruitful and creative period they spent together. born from this time was >secret life< and >in space< and these are presented on a white vinyl disc in a fantastic full colour thick card sleeve. limited & hand-numbered!

early edit of 5 kin s in the very natural heritage/memory of ron hardy. absolutely essential cut,tempo switches manual fixes & reloops,hitting and still making you to want more. reminiscence, core and essence of house music in its purest form. detroit an instrumental edit of b-oogie on high filters wheels only available at the demf. juicy edit. here, cores for spin updates the original edit to current feedbacks while still remaining porny dancefloor roller boogie at the same time 5 kings - j: no need to see a video of terry hunter hammering the track to thousand people. this track receives massive support by big djs around the world and delivers quality time to every field. xxx - sensuous black: zodiacal and mythical impossible to find cut that farley was riding in 1986 -no shit- noticing on vinyl we can go frontal nudity, not like most digital distribution structures.

jackoff beats in a new various artist series from jackoff records. jobeats001 features ver¬sions of jackoff releases that have never been on vinyl before but have been tearing up dance-floors around the globe in digital formats. due to the partners at jackoff head office having such a love of vinyl, it was only a matter of time before this tracks came out on wax. the first release brings iron curtis, oliver deutschmann and october behind the mixing desk plus a bonus track from rising star borai that was all recorded in the smoked out city of bristol behind the red door - strictly for those that know!

a product of his surroundings, wasserfall creates organic, electronic music using an array of tools - including a nord modular g2x, a roland tr 909, a roland sp 404 sampler & an apogee ensemble – but dont think for one minute that its all about the gear, and that he is just a technical producer. field recordings feature heavily in his work, and you can often find him patrolling the streets of oslo or berlin hunting for the perfect sound that will convey his ideas within the piece. anders is just as at home creating scores for film as he is producing rhythms for the dance floor, during his time in berlin he created a contemporary soundtrack of the old russian silent-fim classic a man with a movie camera (dziga vertov 1929) which was performed live in berlin, bremen and in bergen. after all this is said and done, the e.p boils down to just one thing - house music for the heads. nothing lightweight, just the heavy goods. long time coming on vinyl, dont miss out on the result of a year of work getting it just right, if you managed to bag the previous #gcw vinyl you know we take absolute pride in our output. a strictly limited pressing. mastered to 180g vinyl by the one & only john dent @ loud mastering.

for the final of a season that was once again exploring the limits of party culture, maetrik celebrated an extraordinary energetic state of emergency for more than one hour. the resulting live cd is reflecting that matchless mixture of pumping deep house, energetic soul and adrenaline-enriched noise that maetrik presented already on such renowned labels from the likes of treibstoff from cologne, dumb unit and steve bugs audiomatique platform

some seriously heavy drumstep monsters here from daniil kormshchikov aka hectix, a talented young producer from nizhny novgorod, in russia – picked up by john b when he was on tour out there earlier this year. he’s already had releases out on labels such as ammunition, artist recordings, talkin beatz & drum orange. overnight starts with an epic trance build up then hits you hard with absolute killer bass and drums and a phat mixdown. love rader has more screechy synths, and even moar heavy drumstep bizniz, both instant rewinds…
hectix is also working on a remix of >light speed< the title track from john bs new album out in 2012.

classic bob dylan stuff…

incl. david duriez remix!! supported by: nick curly, ryan crosson, deetron, axel boman, danny howells, alex celler, martinez, ralph lawson, fred everything, laurent garnier, okain, ame, spencer parker, zdar, larsson, luke solomon, reboot, kenny larkin, jimpster, raresh

so after the elusive triumph of our first release finally came firmly into our grasp, we at sequencias here in new york thought it was time to take things in a parallel direction without retracing our steps. drafting three top names in underground deep house for a label debut is no mean feat, but how do you follow up on a surprise coup like that? we thought it was time to go even deeper, and we couldnt think of a better way of doing that than getting an experienced player to unveil a new alias for our second offering. things being as they are, weare trying to keep it a bit low here, but what we can let you know is that his discography stretches back to 2005 and that he has appeared on the illustrious bunker records. this should give you a good idea of what to expect: deeper-than-deep, dirty, and gritty house that jacks with the best the movement has to offer. we have to say that orpheus firmly delivers here, and we hope you will be as pleased as we are with the three dark and introspective offerings he unveils for his new project here at sequencias.

mustard pimps full length album, >no title of purpose<, is finally set for release via dim mak records. the album, a patchwork of their diverse influences, features collaborations with some of todays rising and established stars including: skrillex, atari teenage riot, chali 2na and more. the first single, >money shot<, an intense rocker of a track, features jimmy urine of the famed group mindless self indulgence and was released worldwide on dim mak in march. the second single, >zhm<, comes with a cause celebrate music video already banned on youtube. the third single, >catch me<, features alec empire (of dim maks own atari teenage riot) over frenetic breakbeats.

after two smoldering releases on figure & spc, roberto bosco is back for his third offering for len fakis spc imprint. a future-classic 4 track techno ep, with more than enough to keep the peak time floors happy, this is big room music at its most intelligent and sensitive. easing us into the thick of it, charming noise takes humming, rumbling bass tones and a metallic clang as its themes. slow burning and readily effective, its a brooding monster for the late hours. i just cant breathe pushes the adrenalin up a few notches in a screaming, white noise attack on the senses. boscos trademark heavy bass rumble and crisp percussion layers hold their own in this reduced killer. were then ready to embark on an emotional voyage as the masterful see the light emerges from the depths with its pushing acid bass and beautiful atmospheric melody. classic strings and synths swirl and build in a tender and heartfelt piece of timeless techno. closing the ep, i was lonely takes the vibe into more reduced, after-hours zones with robertos cool and low-slung take on the smoother sound of futuredeep house.

one of our favorite south african producers is back yet again with his second installment of melodic moments ep vol 2 on the seasons recordings imprint. dee mac came to us with melodic moments ep vol 1 project in early 2011 and was released and well received by the underground dance community world wide. we ask dee mac to continue his journey with us and we hope you enjoy!

mika vainio, currently based in berlin, was one half of the minimal electronic duo pan sonic from finland, (the other half was ilpo väisänen). before starting pan sonic in beginning of the 90 s mika vainio has played electronics and drums as part of the early finnish industrial and noise scene. his solo works, under his own name and under aliases like Ø, are known for their analogue warmth and electronic harshness. be it abstract drone works or minimal avant techno, vainio is always creating unique, physical sounds.

from the estrela archives of exactly that period comes the original, which was crafted by portuguese calapez at the time, as well as the newly edited pyjamas remix. calapez builds the theme monkeymonkey on top of a playful piano roll and swinging beats – simple and pure. with a wink the pyjamas remix carries that approach and the minimalist melody on, while adding a nice portion of acid. but the absolute highlight of this release, as already alluded in the incoming quote is definitively the more than cutting edge house remix of sacco vanzetti duo. funk, power, tempo and lightness: its got the ground formula to spin itself into the perpetual hunting grounds of the absolute house purist.

after 25 years bordello a parigi offers you these mid-80s italo-disco-bangers on vinyl again. three old killer releases transformed in one reissue. the three course menu contains the two 1985 hard hittin d. carred obscurities and continues with this spicey hidden gem >i ll go where i like to go< from rambles, which was d. carreds first production on vinyl in 1984. on top of this sunny mountain of an italian pie you will get two extra remixes of >you ll be a winner< by the danish creme de la creme of italo: flemming dalum and mike salta. comes with beautiful picture cover and illustrated inner sleeves. limited pressing of 500 records. an action packed must have!

ghetto funk presents slynk. evan chandler aka slynk had music on the mind from birth. naturally gifted with a musical ear he flirted with a range of classical instruments including piano, guitar and drum. it soon became apparent that his ear was best suited to his own style of ghetto funk inspired bootlegs and remixes.
slynks first artists ep for ghetto funk has already been getting support from some of the scenes biggest players and his track boomin even appeared on krafty kuts most recent promo mix. his work is highly sought after by djs around the world while his forward momentum knows no boundaries. expect big things from this rising star and this ep is no exception.

simply a streak of creative energy: in fall 2010, the swiss 8-piece funk-orchestra gmf - grand mothers funck released their 7-track ep >gmf feat. akil the mc<, limited edition on vinyl only, which was sent to selected djs all around the world. in 2011, gmf completed their full-length cd-album >the proud egyptian< (ch: sony music/ internat.: glm-impulso) and toured excessively with their special guest akil the mc (jurassic 5). meanwhile, their vinyl-ep was playing on turntables in england, germany and france and many remixes were being made?
breakbeat paradise recordings is now proud to present a brilliant collection of remixes by europes finest funk- and breakbeat-djs mr. confuse (d), breakbeat junkie (uk), zamali (b), farside (ch), kalumenos (ch) and last but not least: bbps own badboe (dk).

mobilee classics, zusammen was zusammen gehört. waren doch diese beiden versionen (original & pan-pot remix) nie zusammen auf einer 12 inch erhältlich.

two years after his ripple effect release on rush hour, kirk degiorgio returns to the label with a new single, entitled divine logic. the legendary uk techno producer kirk degiorgio is known as a purveyor of techno soul in its finest form. he was at the root of the uk techno movement in the early 90s, soon after the detroit sound went global. he has recorded many now classic releases under guises as future/past, as one and elegy for labels such as planet e, r&s and mo wax as well as his own art label. with divine logic he keeps true to his own tradition by delivering a timeless piece of techno music. a string-laden track that evolves around an arpeggiated synth line. a classy joint that shows that the heritage of detroit techno still lives on.

as said in the info for dérive vol. 2 in 2010, haste makes waste. that in mind it does not surprise it took even more than a year for dérive to come up with vol. 3, but finally its there.a 1 björnski & a different jimi_9 to 5derive co-owner björnski opens up with his first release >9 to 5<, a collaboration with his partner-in-crime a different jimi. sharing a passion for deep house and jazz music, they produced this hypnotic eight minute track built around a jazzy piano loop that melts together with the bass line, surprising the listener with jimis saxophone solo. b1 achim maerz_haters gonna hate >haters gonna hate< comes from derives resident producer achim maerz who just released his first mini album >this is the end< on fine art recordings this summer. obviously it was just the beginning, as he comes up with a warm, deep and dubby yet still pushing track that lets you wanting the night to last forever. b2 tilman tausendfreund_with you the last track on this record is delivered by hamburgs latest talent, tilman tausendfreund. after releasing great solo tracks and coops with christopher rau (e.g. on contentismissing or hypercolour), on >with you< he chills it down to a funky 95 bpm, soulful sweet little something that works great both in your club and bedroom.

for a while it was the perfect label… no,were not (yet) talking about gomma from munich,also an excellent address. this is about the legendary company casablanca records&filmworks from hollywood who during the second half of the 70s literally skyrocketed and played an essential part in shaping modern disco music. besides scoring some mega successes with their famous leading acts donna summer, kiss und village people, casablanca revolutionized the development of electronic dance music like no other label.